The line, "Can I kick it? Yeah, I can" is a reference to both "Can I Kick It?" by A Tribe Called Quest and "Rock DJ" by Robbie Williams. If you listen closely, you can hear snippets of cicadas and crashing waves, which Lorde said she's been recording on her phone for years. The production on "Solar Power" was inspired by Len's 1999 hit "Steal My Sunshine" and early-aughts pop groups like S Club 7. This also feels like a winking callback to "Green Light," the lead single from "Melodrama." In the first verse, Lorde chastizes her ex for lying to his new lover: "She thinks you love the beach, you're such a damn liar." Now it makes sense why she took this so personally Lorde actually does love the beach. The lyrics describe a utopic community where Lorde guides her followers to salvation: "Lead the boys and girls onto the beaches / Come one, come all, I'll tell you my secrets / I'm kinda like a prettier Jesus."
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In the New York Times video series "Diary of a Song," Lorde said she wanted the lyrics to conjure a "kind of cult leader" energy: "I say 'let the bliss begin.' Like, I'm a maniac." In lead single "Solar Power," she satirizes the idea introduced in "The Path," conflating her career as a pop star with a false god persona.
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"'I need Lorde to come back and tell me how to feel, tell me how to process this period in my life!'" "My kids - my community - they're expecting spiritual transcendence from me, from these works," she told the New York Times. I'm essentially like you,'" she told the New York Times.ĭespite her unplugged life in New Zealand, Lorde is familiar with her particular reputation online. I can feel the huge amount of love and devotion that people have for me - and for people in my position - and straightaway, I wanted to be like, 'I'm not the one that's worthy of your devotion. These lyrics tackle and dismantle the modern idea of celebrity worship, urging Lorde's listeners not to place her on a pedestal. The song's chorus and outro focus on the song's two central themes: "Now if you're looking for a savior, well, that's not me" and "I just hope the sun will show us the path."
In the lyrics booklet, she revealed that her mother still has the fork in question. She describes the scene as an awe-struck, slightly cynical outsider. "Fork in my purse to take home to my mother / Supermodels all dancing 'round a pharaoh's tomb," Lorde sings. The theme was "Manus x Machina: Fashion in an Age of Technology." The second verse of "The Path" describes Lorde's experience at the 2016 Met Gala, the famously star-studded fundraiser for the Metropolitan Museum of Art.Īt 19, Lorde attended as a guest for the second time, wearing a gown by Valentino and a cast on her left arm. 1 on the Billboard Hot 100, won two Grammy Awards, and became the 11th song in history to earn a diamond certification.
The second line refers to Lorde's whirlwind rise to fame when she released her debut single, "Royals," at age 16. The company recently pled guilty to three felonies related to its role in the opioid epidemic. Lorde was born in 1996, the same year that Ox圜ontin, a highly addictive narcotic, was developed and patented by Purdue Pharma.
The song starts with an autobiographical couplet: "Born in the year of Ox圜ontin, raised in the tall grass / Teen millionaire having nightmares from the camera flash." Lorde is the only songwriter credited for "The Path." She revealed in her "Solar Power" lyrics booklet, which is included in her CD-alternative "music box," that it was the first song she ever wrote entirely alone.
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